The Primordial Prophecy of I Ching

Careful formulation of your first and foremost question and the asking of it clearly and directly is the answer.

Whose face is that I see? What color is the sky? Which one is best for me? In truth, just who am I? 

Any mindful, lucid, open question is in fact an inquiry pertaining only to oneself. Even asking "who am I" reveals I am the Absolute Unknown.

In other words, much like the great reflexive universe of evolutionary and enlightening Intent, I always know, I always am, the answer—

it's the question, or the universe, that I am formulating which is the most material event that will, in space and time, reveal it.

The Revelation of the Poet Basho Divine

In Japan, on Matsushima Bay, a peacock passed a dragon in the light of day, two ferry boats progressing in their opposite directions. We were on the peacock,

contemplating pine-enshrouded little islands that pervade the bay like earthly stars within a navy sky or cherry blossoms being blown into the wind and rain.

But none of these descriptions do that setting any justice. In his journey on the narrow road, the poet Basho wrote a haiku on each scene he saw except on this one. No inspiration could exceed its revelation.

Tao that can be named is not the Tao. But tradition has him writing just the name of Matsushima and an exclamation word or two. Three times. The one becomes the two becomes ten-thousand exclamations!

Holy Mother, this astounding universe is either unbelievable or overwhelming if approached with any small amount of true attention. Dragon or the peacock: either way, it's not your doing.

The Evolutionary Sādhanā of the Light

It is the Great Intent of That Unknown to know itself. This is labeled evolution by the scientific-minded or enlightenment by those of no-mind.

The point of all of this, my world, our universe, is knowing I am That, that I, the Great Unknown, must first forget myself within the known,

this vast molecular morass of my intentional star stuff, and slowly learn by doing, rise by suffering, create my own vast laboratory for an ultimate unknowing,

where I see that all of this is false except my nameless and ungraspable existence, and in knowing only this, That Great Unknown now knows itself,

and like the final scene in some finale of a situation comedy, turns off the lights—but until then, I follow my enlightening intent, my evolutionary energy, my bliss, my love, my That.

Carl Jung on Facebook

There are no natural laws but just statistical truths and every one is subject to exception. Carl Jung said that. The hero knows it's zero and plays one anyways. I said that. 

All of this is just a story that we tell while on the road to nowhere. Nothing must be something to discern itself. An irony is something physical suddenly realizing all is immaterial. I just said that on Facebook.

We're all just avatars the absolute unknown must use to see itself, but in the process it believes the avatar is me and I forget I'm not an avatar. The paradox goes on forever if we only think about it.

One will climb the height of consciousness to gain that lack of oxygen within the Everest of awareness and. Be. Still.

Meditation on Lunar Silence and Solar Power

New Moon and silence fills the sky—

what day are we ordained to die?

It doesn't matter what I do—

this is false but that is true.

Tonight the vernal equinox

will balance all accounts of clocks

and every egg will stand upright

while consciousness will re-ignite

awareness of its unknown power—

the earth stands still and lifts a flower.

The Shaman of Phenomenal Yosemite

I lost my hat once in Yosemite, on a trail around the village, after visiting the nearby waterfall. Yosemite Waterfall is three waterfalls in fact. As one becomes two becomes three becomes the ten thousand things,

I watched the water split apart like shards of crystal lightning. I was alone, leaning on a glacial boulder, somewhat away from all the people who were frolicking within its wonder.

My hat was turned around so that the visor wouldn't interfere with picture-taking, like the black-and-white zoom shot of the lip of Upper Falls kissing the void of the absolute unknown.

This was sometime after leaving Glacier Point where I'd become entranced by the shaman figure of Half Dome across the great abyss in its High Sierra shocking world of alabaster granite.

From that viewpoint it appears to be enshrouded in a sorcerer's cloak and Yosemite itself is its astonishing phenomenal creation. There's nothing one can do but tip your hat surrendering to its intent to silence—

and illuminate.

The Red Winged Perfection of Understanding

Spring happened in the Stop & Shop parking lot; after putting all the groceries away inside the trunk, I opened up the driver's door

and sat inside and slipped the key into ignition and as I was just about to close the door, I heard their trill, and realized it had been there

but I was busy being me and didn't hear the wonder of rebirth, the renaissance of northeast marshes, Michelangelo of bird call,

Zen of emptiness is form and form is wavelength of an ice-out on the Merrimack as red-winged blackbirds have returned from Tennessee

and self-awareness is arising from material phenomena in consciousness through evolutionary Intent like chevrons on their wings becoming red

as April will arrive in all its yang of spring, spring, spring beyond, spring altogether all beyond, O what a great awakening!

The Oracle of the Underground

Lost in thought, one advances toward the oracle. No red wings flutter in this land of winter. Swamps of passion sleep beneath the ice.

Volition is denial of the natural watercourse of love. Ten thousand concepts sparkle in the frozen wasteland of the mind. Which forgery should one select?

The prophet from the south realm answers none. Forget the dollars of the senses. Division is a fabrication of an elementary schooling. Concentrate on one.

The voice of orioles is immaterial but gold. A charm is plummeting into an unfathomable well. The splash is always in the spring of heart.

Satori in Canyon del Muerto

In the canyon, sitting on the desert ground by clear and rushing waters of a crystal stream that flows from mountains far beyond the high surrounding mesa, I look at Anasazi ruins built within a crack between the sun and moon.

A thousand years ago, people occupied this space and made their time like pottery and sacred images of Kokopelli breathing infinite designs of lightning on these sandstone walls created by a long-forgotten sea.

The water starts to talk to me. It is speaking in a language that I used to speak before this world was planted in a fertile consciousness. I could say it's timeless but it's more like time itself. It's as if the Big Bang is right now.

Those ancient Pueblo people walk past me. Dinosaurs are dying out. Purple darkness like the one original sea distills each and every drop of water in my blood. I drink its whirlwind we call being until it covers me in silence.

When the tour bus leaves, I climb aboard, unable to explain to her the scene I've seen, the sea I am. Instead, I speak of ruins in the stream. My lunch was good. I took a picture of my hiking boots. Two ravens soar above me in these thermal waves of turquoise sky.

The Enlightenment of Julius Caesar

The Ides of March arrive tomorrow. Don't be late. Nine days from now and forty-two years ago, my father died. In eleven days, my mother would be ninety-seven. And pi was just an hour ago.

Time is permeated with the absolute unknown and the Merrimack is still embraced by ice although in any minute water from the Whites will free itself when everything is seen as universal, causeless, empty, and impermanent.

But let me suffer as a person for this moment just to tell you I love watching situation comedies like 30 Rock and New Girl. Like napalm in the morning, they remind me of loving deconstruction.

Science really doesn't do it for me. "That I am" to "I am That" is all the evolutionary arc from Big Bang to Enlightenment you need to know. The rest is there for you to breathe. Et tu, ego?